Gretsch Broadcaster JR. LX Tropic Aura
Product information "Gretsch Broadcaster JR. LX Tropic Aura"
With the Broadcaster Jr. LX Tropic Aura, Gretsch has added a single-cutaway Broadcaster model to its lineup featuring several design improvements. The guitar includes a center block, which minimizes the risk of feedback at higher volumes. Unlike on classic models, the Adjustomatic bridge is permanently attached to the top. A clever detail is the String-Thru Bigsby system, in which the strings simply pass through the roller and no longer need to be laboriously threaded onto small pins. A set of the newly developed Gretsch Twin Six pickups delivers a powerful, brilliant sound.
- Binding: 3-Ply Aged White Body Top and Back, Fretboard, Headstock
- Body Material: Maple laminated
- Body Shape: Single Cut
- Body finish: High Gloss
- Bridge / Tremolo: Gretsch Adjusto-Matic + Bigsby B7CP String Thru
- Bridge Pickup: Gretsch Pro Twin Six
- Color/ Finish: Tropic Aura
- Colour: Green
- Controls: 2x volume, 1x master volume, 1x tone
- Country of Origin: Japan
- Custom shop: yes
- Finish: Gloss Polyurethane
- Fretboard: Ebony
- Fretboard Inlays: Pearloid Neo-Classic Thumbnail
- Fretboard radius: 12"
- Fret material: Nickel silver
- Frets: 22
- Fret size: Medium Jumbo
- Hardware: Gold
- Includes: Hardcase
- Neck: Maple
- Neck Pickup: Gretsch Pro Twin Six
- Neck Profile: Standard "U"
- Neck construction: Set in neck
- Neck finish: Gloss Polyurethane
- Nut Width: 1.6875" (42.86 mm)
- Nut material: Graph Tech TUSQ XL
- Pickguard: Gold Plexi with Gold Gretsch® Logo
- Pickup Configuration: H-H (2x Humbucker)
- Pickup Cover: Gold
- Pickup Selector Switch: 3 way toggle
- Pickup type: passive
- Pot Caps: Gretsch G-Arrow Knobs
- Scale: 24" (610 - 634 mm)
- Scale Length: 25,5" (648 mm)
- Strings: 6 string
- Strings thickness ex factory: .010 - .046
- Technology: Semi-Hollow Body
- Top: Maple laminated
- Translation: 1:18
- Tuning Machines: Gotoh Locking
Since its founding in 1883 in Brooklyn, New York, Gretsch has delivered musical instruments of the highest quality with masterful craftsmanship — instruments that have been both influential to and cherished by some of the music industry’s most respected artists, including Chet Atkins, Eddie Cochran, Billy Duffy, Bono, Duane Eddy, George Harrison, Brian Setzer, Stephen Stills and Malcolm Young.
Twenty-seven-year-old Friedrich Gretsch, a German immigrant, began the company’s career by making banjos, drums and tambourines. Only 12 years later Friedrich passed away and left the young business to his then 15‑year‑old son Fred. Far from a typical teenager, he built the company into one of America’s leading importers and manufacturers of musical instruments. Knowing that the key to growth was listening to the public — and the public wanted guitars — Gretsch began producing the sought‑after six‑string instruments.
Initially, from 1926, these took the form of acoustic archtops for the rapidly growing popularity of jazz and a handful of flattops for the ever‑popular country and western sounds in the USA. In 1935 Gretsch launched the legendary Broadkaster drum series, which remained successful into the 1950s. Gretsch’s contribution to the rise of electric amplification came in 1939 with the first Electromatic®, a hollow‑body design that, in contemporary form, remains in the range to this day.
In 1942 Fred Gretsch Senior, after 50 years of successful business, handed the company to his son Fred Gretsch Junior. Because production was interrupted during the turmoil of the Second World War, Junior left the business to his brother Bill and joined the Navy. Tragically Bill died in 1948, like his grandfather at a young age, so the now‑inactive naval officer Fred resumed the helm of the family firm.
Since 1953 the company has also cultivated its expertise in solid‑body guitars, which met the ever‑louder concerts with greatly reduced susceptibility to feedback. The semi‑acoustic line has since been expanded to include guitars with centre‑block construction, combining the tonal character of a hollow‑body guitar with the practical aspects of a solid‑body.
After George Harrison’s appearance with the Beatles and his Country Gentleman on the Ed Sullivan Show in 1964, Gretsch became firmly established among the iconic guitar makers — a status reflected in 1965 by the highest production volume in the company’s history.
In 1967, at the peak of its success, Fred Gretsch Jr. decided to retire and sold the company to the Baldwin Piano Company, which took over operations — unfortunately with only moderate success. Fortunately Dinah Gretsch joined the company in 1979 and helped prepare the path for a repurchase that her husband Fred W. Gretsch, the great‑grandson of the founder, completed 17 years after the sale. Together the couple restored the company to its former glory, where it seems to remain today.