Gibson Les Paul Standard 50`s Cardinal Red Top
Product information "Gibson Les Paul Standard 50`s Cardinal Red Top"
The absolute Gibson classic in cool new colours! The Les Paul Standard 50's Plain Top is a typical 50's Les Paul: mahogany body without weight relief, plaintop maple top, 50's neck profile, mahogany/rosewood neck and a set of Gibson Burstbuckers. The top is finished in Cardinal Red.
- Binding: Cream
- Body Material: Mahogany
- Body Shape: Single Cut
- Body finish: High Gloss
- Bridge / Tremolo: Gibson ABR-1 Tune-O-Matic + Alu Stop Tailpiece
- Bridge Pickup: Gibson Burstbucker 2
- Color/ Finish: Cardinal Red
- Colour: Red
- Controls: 2x volume, 2x tone
- Country of Origin: USA
- Finish: Gloss Nitrocellulose Lacquer
- Fretboard: Rosewood
- Fretboard Inlays: Acrylic Trapezoid
- Fretboard radius: 12"
- Fret material: Nickel silver
- Frets: 22
- Fret size: Medium Jumbo
- Hardware: Nickel
- Includes: Hardcase
- Neck: Mahogany
- Neck Pickup: Gibson Burstbucker 1
- Neck Profile: '50s Vintage
- Neck construction: Set in neck
- Neck finish: Nitrocellulose, Gloss
- Nut Width: 43.05 mm / 1.694 in
- Nut material: Graphtech
- Pickguard: Cream 1-Ply
- Pickup Configuration: H-H (2x Humbucker)
- Pickup Cover: Nickel
- Pickup Selector Switch: 3 way toggle
- Pickup type: passive
- Pot Caps: Top Hat Amber
- Scale: 24" (610 - 634 mm)
- Scale Length: 24,75" (629 mm)
- Strings: 6 string
- Strings thickness ex factory: .010 - .046
- Technology: Solid Body
- Top: Plain Maple
- Translation: 1:16
- Tuning Machines: Gibson Vintage Deluxe with Keystone Buttons
The American Gibson Guitar Corporation, founded in 1902 by Orville Gibson in Kalamazoo, Michigan, first became known for the production of mandolins and banjos. Today the company’s headquarters are in Nashville, Tennessee, and Gibson is one of the world’s most renowned and respected manufacturers of electric guitars.
The model Les Paul, named after its creator Lester William Polsfuss, is one of the most famous and best‑selling electric guitar shapes of all time and established the single‑cut guitar form, which has been copied, adopted and reinterpreted by numerous other manufacturers. The Les Paul is mainly prized for its sound, characterised as warm and full. The humbucker pickup largely responsible for that sound, in its now common design, was developed by Seth Lover at Gibson.
In the early 1960s the Gibson SG appeared as another solid‑body electric from Gibson. Originally intended as the successor to the Les Paul, it became — helped by Angus Young of AC/DC — another rock‑history icon and is the basis for the double‑cutaway guitar type.
With the Flying V and the Explorer Gibson is responsible for two body shapes that, although they were far ahead of their time when introduced in the late 1950s, have over the years also achieved legendary status. They still serve as the foundation for a host of heavy guitars today, for example from makers such as Jackson or ESP.
The Gibson Custom Shop produces custom orders, high‑quality one‑offs and precise replicas of famous models and legendary instrument years. These are often subjected to an artificial ageing process called relicing.
Almost as long as the company has existed, acoustic guitars have also been produced. The J‑45, the Hummingbird, the L‑00 and the SJ‑200 are among the world’s most beloved steel‑string acoustics and were the instruments of choice for Johnny Cash, Elvis Presley and John Lennon.
Besides the instruments already mentioned, you can of course also buy picks, bags and cases or merchandise from Gibson with us.
We are particularly proud to host a Gibson Flagship Store in our Frankfurt branch. There you’ll find not only a large selection and exclusive models to try out in person, but you’ll also benefit from the expertise of our Gibson‑trained and certified staff when choosing the perfect guitar.
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Das war jetzt der dritte Versuch meinerseits eine Gibson Gitarre zu kaufen innerhalb der der letzten 20 Jahre. Angeblich hat sich ja die Produktionsqualität enorm verbessert. Dies war bei der von mir erhaltenen Gitarre definitiv nicht der Fall. Binding schlecht eingesetzt, Lackierungen fehlerhaft, Bünde nicht poliert, Sattel schlecht eingesetzt etc. Rundherum schlecht verarbeitet. Von den über 30 Gitarren, die ich bisher besessen habe waren die Gibsons mit Abstand am schlechtesten verarbeitet. Ich bin durch mit dem Thema...