Electro Harmonix Nano Bass Big Muff

Product information "Electro Harmonix Nano Bass Big Muff"

The Bass Big Muff in the space-saving Nano housing delivers the classic Muff fuzz/distortion sound, from scratchy and aggressive to a singing violin sound. The Green Russian genes are also clearly recognisable in the Bass Big Muff Nano - a dark, rich basic sound to which the unprocessed original signal can be added.

  1. Also suitable for Guitar: yes
  2. Controls: Volume, Tone, Sustain
  3. Country of Origin: USA
  4. Dimensions (WxHxD): 70 x 54 x 115 mm
  5. Effect Type: Distortion
  6. Modes: 2 Modes
  7. Mono / Stereo: Mono In, Mono Out
  8. Power Consumption: 4 mA
  9. Power supply: 9 VDC, Center negative
  10. Special Features: unprocessed dry signal can be switched in to the mix
  11. Switches: Dry
  12. Technology: analog
  13. True Bypass: yes
About Electro Harmonix

Electro-Harmonix was founded in 1968 by Mike Matthews and is known for groundbreaking innovations in analogue audio signal processing, digital delay, digital sampling and polyphonic real-time processing. EHX effect pedals are used by professional and amateur guitarists, bassists, keyboard players, producers, studio engineers, DJs, vocalists and a wide variety of musicians and instrumentalists.

Since the beginnings in 1968, when founder Mike Matthews ushered in the era of overdrive with the revolutionary LPB-1 Linear Power Booster, Electro-Harmonix has been at the forefront of electric guitar sound development. With a core product line of over 150 guitar effect pedals, from fuzz through delay and modulation to synthesiser pedals, the sound of Electro-Harmonix products is so compelling that they have been imitated and copied by several other pedal makers.

In addition to effects units, Electro-Harmonix also offers high-quality tubes for guitar amplifiers, Bluetooth headphones and speakers as well as various accessories for guitars and basses.

Reviews
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1 of 1 reviews

Bass Big Muff
1 February 2025 14:16

Gibt dem Bass-Ge-8-tel noch einen schönen extra Schub. Ich betreibe den Muff ausschließlich im Dry Mode, so dass der „cleane“ Bass-Sound erhalten bleibt und das Crispe obendrauf kommt. Somit auch kein Druckverlust. Meine Signalkette nun: Höfner Club HCT 500/2 Contemporary - Ampeg Opto Comp - Boss OC-5 Octaver - Electro Harmonix Nano Bass Big Muff Pi - Boss CEB-3 Bass Chorus - Tech 21 SansAmp Paradriver D.I. V2 - Mischpult. Kein Amp. Nur noch In-Ear, auch zum Proben. Und keine Schlepperei. Dank auch EHX.

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