Electro Harmonix Bad Stone
Product information "Electro Harmonix Bad Stone"
The Electro Harmonix Bad Stone is the remake of the Phase Shifter effect pedal, now in Nano-housing. Analog Phaser has the original circuitry of the device from the 70s. The Bad Stone was the first phase-effect pedal that had a continuous feedback controller and 6 different phase-shift stages. A nice extra feature is the Auto / Manual switch with which the phasing can be "parked" - the modulation is switched off and the Manual Shift Poti can control manual Phasing, a narrow frequency range is raised, which sounds like a fixed wah sound.
- Also suitable for bass: yes
- Battery Type: 9 V Block
- Battery powered: Battery Powered
- Bypass Mode: True bypass
- Controls: Rate, Manual Shift, Feedback
- Country of Origin: USA
- Dimensions (WxHxD): 70 x 54 x 115 mm
- Effect Type: Phaser
- Housing size: Standard
- Modes: 2 Modes
- Mono / Stereo: Mono In, Mono Out
- Power Consumption: 18 mA
- Power supply: 9 - 9,6 Volt center negative
- Switches: On/Off, Auto/Manual
- Technology: analog
Electro-Harmonix was founded in 1968 by Mike Matthews and is known for groundbreaking innovations in analogue audio signal processing, digital delay, digital sampling and polyphonic real-time processing. EHX effect pedals are used by professional and amateur guitarists, bassists, keyboard players, producers, studio engineers, DJs, vocalists and a wide variety of musicians and instrumentalists.
Since the beginnings in 1968, when founder Mike Matthews ushered in the era of overdrive with the revolutionary LPB-1 Linear Power Booster, Electro-Harmonix has been at the forefront of electric guitar sound development. With a core product line of over 150 guitar effect pedals, from fuzz through delay and modulation to synthesiser pedals, the sound of Electro-Harmonix products is so compelling that they have been imitated and copied by several other pedal makers.
In addition to effects units, Electro-Harmonix also offers high-quality tubes for guitar amplifiers, Bluetooth headphones and speakers as well as various accessories for guitars and basses.
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Eigentlich ein sehr gut klingender Klassiker - zumindest an der Gitarre. Am Korg SV2 rauscht es lauter als das zu bearbeitende Signal selbst. Keine Ahnung, welche elektrotechnische Beschaffenheit dafür verantwortlich ist. Am Nord Electro rauscht es deutlich leiser, aber immer noch zu laut, um es an die PA oder das Studio-Mischpult weiterzugeben. An der Gitarre testweise angeschlossen rauscht es nun nicht mehr, aber ich wollte es ja gerne am Keyboard haben….