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Collings CJ MH AV

Serial: 20441Article: 10061121Price: 4.882 £incl. VAT, free delivery
Collings CJ MH AV
CJ MH AV (1) CJ MH AV (2) CJ MH AV (3) CJ MH AV (4) CJ MH AV (5) CJ MH AV (6) CJ MH AV (7) CJ MH AV (8) CJ MH AV (9)
Price: 4.882 £
incl. VAT, free delivery

Collings CJ MH AV

The Collings Jumbo, or CJ, is their version of the classic slope-shouldered dreadnought, a shape that has enjoyed renewed popularity in recent years. While the CJ is similar in width and depth to the traditional dreadnought, it has a distinctly different tone. Despite its large size this model works well with the optional shorter string scale, resulting in a somewhat percussive bottom end ideal for acoustic blues or other styles that benefit from a more controlled bass response. Of all the Collings body shapes, this is the one most often requested with a sunburst top finish, and the wide range of wood options, neck widths, and string scales allow the CJ to be many different guitars to a wide variety of players.

Collings

Bill Collings moved from Ohio to Houston, Texas in the mid-1970s. More interested in guitars and engineering than in medical school, he took a job at a machine shop and began building guitars on his kitchen table with just a few hand tools. Before long his instruments were in the hands of local talents Rick Gordon and Lyle Lovett, which led more Texas players to seek out Bill for custom guitars. After building about fifty guitars and a few banjos in Houston, he headed west to pursue lutherie in southern California. Along the way, he befriended Austin luthiers Tom Ellis and Mike Stevens. Having found like-minded instrument makers, Bill decided to stay and share space in Tom’s shop. By the mid-1980s, Bill was building flattop and archtop acoustic guitars in his own small shop. His reputation for outstanding quality and meticulous attention to detail quickly spread. In 1989, he rented a 1,000-square-foot space and hired two helpers.
In the spring of 1992, Bill moved his guitar-making operation into a 3,200-square-foot feed store he purchased on the outskirts of Austin. By this time musicians such as Pete Townshend, Joni Mitchell and Brian May were playing Collings instruments and demand continued to grow. By 2005, Bill broke ground for a new 27,000-square-foot shop featuring CNC technology that modernized machining processes and made parts production more consistent, accurate and safe. As the business grew and processes were refined, one thing remained the same: Bill Collings’ commitment to build the finest stringed instruments available.
Fueled by his fascination with the construction and design of a variety of instruments, Bill soon began crafting more than just acoustic guitars.
For the past 30 years, Collings Guitars have been the choice of musicians who seek the finest handmade instruments available. You owe it to yourself to try a Collings.
  • Body ShapeCollings Jumbo
  • TopAmerican Red Spruce
  • Back / SidesMahogany
  • NeckMahogany
  • FretboardEbony
  • Fretboard InlaysDots
  • FinishHigh Gloss
  • Construction / AcousticFull Solid
  • Nut Width42,9 mm
  • Saddle/Cross piece inlayBone
  • BridgeEbony
  • Tuning MachinesNickel Waverly Tuners
  • BindingTortoise-style with black / white purfling
  • Colour / Finishnatural
  • Strings6 string
  • Cutawayno
  • Special FeaturesShort Scale and Varnish Finish
  • IncludingHardcase
  • Country of OriginUSA
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