Filter products
Multiscale Basses
Multiscale basses are bass guitars with a so-called fan fretting. The concept of the multiscale construction provides a longer scale length on the low strings, which in turn leads to a tighter string tension. Unlike conventional bass guitars, a multiscale bass has not only one scale length, but each string has its own. This principle comes from the construction of pianos and grand pianos. Here, too, each piano string has its own optimal length in terms of vibration, overtone performance, response and intonation in general. On a classic 4-string electric bass, the 34" inch scale length, the so-called long scale, is pretty much right for the A and D strings, but the E string could already use a 34.5" length, and the G string sounds a little too thin and has too little sustain. To ensure intonation and scale accuracy on multiscale basses, the frets are now no longer parallel, but have to sort of stretch out toward the lower, longer strings. More length - more distance. This creates the fanned out arrangement on the fingerboard: fanned frets. Of course, multiscale basses are no instruments for beginners. But for those who have too much respect for the slanted frets, it's still recommended to maybe give it a try; it's easier and less complicated than you think. The origin of this guitar construction was in the 1980s, when a certain Lee Sklar caused a sensation as Phil Collins' bassist with a Dingwall Multiscale. After the 1990s when the grunge wave glorified vintage instruments and declared everything about modern instruments stupid, it took a few more years in the 21st century until the fanned fret instruments reappeared more and more not only in modern metal but also in pop and jazz due to their superior tight low end and intonation.
Multiscale Basses