Mackie ProFX12v3+
Product information "Mackie ProFX12v3+"
12-channel analogue mixer with enhanced effects, USB recording modes and Bluetooth®
Stream. Record. Create. The Mackie ProFX12v3+ is a professional 12-channel analogue mixer with USB-C audio interface and powerful enhancements for studio-quality recordings and live streams. Capture your performance with the award-winning Onyx preamps, channel EQ and analogue compression. With the enhanced GigFX+™ effects you can refine your sound and edit and save your presets instantly via the full-colour display. The various recording modes let you record with or without effects, use loopback mode to stream video games, or play along to backing tracks without feedback. You can even patch podcast guests in by phone via Bluetooth® on their own channel. With simple connectivity, analogue warmth and an improved effects engine, the Mackie ProFX12v3+ is the perfect centrepiece for your studio.
- 7 Onyx mic preamps with up to 60 dB of gain and extremely low noise
- High-resolution GigFX+™ effect engine
- Full-colour LCD display for editing and saving effect presets
- 2x4 USB-C audio interface with 24-bit / 192 kHz
- Three recording modes: Standard, Loopback and Interface
- Bidirectional Bluetooth® for music playback and caller integration
- 3-band EQ on all channels
- One-knob compressor on channels 1 to 4
- 2x Hi-Z switches for direct instrument connection
- 100 Hz low-cut filter and 48 V phantom power on all mic channels
- Stereo mini-jack input on channel 11/12
- Headphone output with separate level and mix control
- Simple switching between computer output and latency-free mixer inputs
- Waveform OEM™ recording software included
- Legendary "Built-Like-A-Tank" design
- Durable metal chassis
- Robust ABS side guards
- Dimensions: 376 x 330 x 101 mm
- Weight: 3.6 kg
- AUX outputs: 2
- AUX send/stereo return: 1x AUX Send (pre), 1x AUX-Send (post)
- Audio Interface: 2x Input / 2x Output
- Bluetooth-Streaming: yes
- Channel EQ: 3 Band EQ
- Channel Fader: 60 mm fader
- Compressor: for Channels 1-4
- Computer connection: via USB-C Port
- Design: Desktop
- Dimensions: 330 x 102 x 376 mm
- Effects: Digital Effects
- Headphone Jack: 1x 6,3 mm Jack, Adjustable
- Hi-Z Input: 2
- Includes: Mixer, Power Cable
- Inserts: for Channels 1-4
- Line in: 8x 6,3 mm Jack (Channel 3-9/10), 3,5 mm Jack (Channel 11/12)
- Master-Fader: 60 mm fader
- Mic-In: 2x XLR/Jack-Combo (Channel 1-2), 5x XLR (Channel 3-9/10)
- Mono channels: 4
- Multitrack-Recording: no
- Other in/outputs: Foot switch
- Outputs: 2x XLR/6,3 mm Jack (L/R), 2x 6,3 mm Jack (Sub-Out), 2x 6,3 mm Jack (Control Room), 2x 6,3 mm Jack (Mon Send, FX Send), 6,3 mm Jack (Headphones)
- Phantom Power: 48 V DC switchable
- Power supply: 230 V AC, 50 Hz
- Rack mounting: Optional
- Resolution: 24-Bits
- Sampling-Rates: 192 kHz
- Simultaneously usable inputs: 8
- Stereo channels: 4
- Subcategory: Analogue Mixer
- Sub groups: 1x Stereo
- Tape I/O: no
- Weight: 3,6 kg
- three recording modes: Standard, Loopback and Interface
Professional sound with character and history
Mackie is an iconic brand in the pro-audio world – known for rugged design, clever features and excellent sound. Since its beginnings in 1989 in a garage in Washington the name has stood for affordable, durable audio technology that convinces both beginners and professionals. The vision: better sound for everyone – in the studio, on stage, in podcasts or during livestreams.
With iconic products like the CR- and MR-studio monitors, the robust Thump and SRM speakers or the intuitive USB microphones and mixers of the ProFX and Onyx series, Mackie is at home in every creative environment. Whether recording, live mixing or content creation – Mackie delivers tools you can rely on.
Legendary milestones like the CR-1604 mixer or the SRM450 have shaped whole generations – and with innovative tools like the SHOWBOX or the flexible Big Knob range Mackie remains a strong partner for modern audio setups today. Whether in the home studio or on tour: Mackie means uncompromising quality – „Built Like a Tank“.
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