Gretsch G6128T-GH George Harrison ''Tribute'' Duo Jet

Gretsch G6128T-GH George Harrison ''Tribute'' Duo Jet, Electric Guitar

Item number: 10049761
This item is not part of our current product range.
Electric Guitar • Serial number: 21179-057 • Colour / Finish: Black • Technology: Solid Body • Body Shape: others • Strings: 6 string • Neck construction: Set in neck • Frets: 22 • Scale Length: 24,62" (62,53 cm) • Body Material: Mahogany • Neck: Mahogany • Fretboard: Rosewood • Fretboard Inlays: Cloud Inlays • Pickup Configuration: S-S (2x Single Coil) • Neck Pickup: DynaSonic Singlecoil • Bridge Pickup: DynaSonic Singlecoil • Pickup Selector Switch: 3 way toggle • Controls: 2x volume, 1x tone • Bridge / Tremolo: Bigsby style • Hardware: Nickel • Including: 2 Unpublished Photos from George with the Original Duo Jet, rare 1987 British 7" Vinyl records of Harrison's Hit "Got My Mind Set on You", DVD - "The Making of George Harrison's Tribute Gretsch Guitar", one of George's personal plectrums • Special Features: Limited special model • The Gretsch Duo Jet that Harrison played in the early Beatles days was dear to him at the time. He often referred to it as his first truly good guitar. Hed bought it secondhand from a Liverpool cab driver a year earlier at age 18, in summer 1961. After acquiring the guitar, Harrison played it during the historic three-year period when the Beatles made their momentous transformation from local favorites to U.K. sensations to worldwide phenomenon. He used it to record the Beatles first album, Please Please Me, and the song of the same name that was their first number-one hit. A quarter-century later he returned to the guitar for his acclaimed 1987 solo album Cloud Nine. So when Gretsch wanted to honor Harrison in 2011 with a signature guitar model—it had to be that guitar. The result, the Gretsch Custom Shop G6128T-GH George Harrison "Tribute" Duo Jet, is a meticulously crafted replica of the all-black 6128 Duo Jet Harrison played with the Beatles from summer 1961 through spring 1963. Identical down to the tiniest detail, it evokes those famous Cavern gigs, where packed audiences of hometown fans and friends first realized that something special was happening. It conjures up the raucous spirit of the Beatles gritty rock n roll "apprenticeship" of that era in the seedy nightclubs of Hamburg, Germany. It brings to mind the waves of Beatlemania that swept over the U.K. in 1962 and 1963. And finally, it reflects Cloud Nine—the enormously successful solo album Harrison made 25 years later. Harrison bought the guitar in 1961 from Ivan Hayward, an ex-sailor and then taxidriver in Liverpool. Hayward wanted £90 for the guitar, but Harrison had only £70. Seeing Harrisons earnest eagerness and appreciation of the instrument, Hayward accepted the £70 along with an IOU for another £20, scrawled on the back of the guitars customs slip (since settled, Harrison fans will be interested to know). "It was my first real American guitar," he told Guitar Player magazine in 1987. "And Ill tell you, it was secondhand, but I polished that thing. I was so proud to own that." Indeed, Harrison had procured a truly fine guitar for himself—no small feat for an 18-year-old in Liverpool, where any good guitar was hard to come by, let alone a U.S.-made Gretsch. It immediately became Harrisons main guitar. In addition to the Beatles gigs at the Cavern and other spots in and around Liverpool, this meant that the Duo Jet also accompanied the young guitarist on several of the Beatles visits to Hamburg, Germany. Harrison played the guitar during their 1962 stints at the Star-Club in April, May, November and December. This was a wild and formative chapter in Beatles history; Hamburg was where the group honed its live show and musicianship during grueling marathon performances, widened its reputation, lost a certain amount of innocence and recorded and released its first single ("My Bonnie," backing singer Tony Sheridan, June 1961). When the Beatles (which still included drummer Pete Best) and road manager Neil Aspinall arrived at Londons Abbey Road Studios on June 6, 1962, for their EMI/Parlophone audition, the guitar Harrison brought with him was his Gretsch Duo Jet. They recorded four songs that day: a cover, "Besame Mucho," and three originals, "Love Me Do," "P.S. I Love You" and "Ask Me Why." Except for the all-acoustic "Love Me Do," all the songs included Harrisons Duo Jet. It was on the basis of this "audition" session that Martin decided to sign the Beatles. Harrison retired the Duo Jet in spring 1963 when he acquired other guitars including the Gretsch Country Gentleman® and Tennessean® models. In the mid-1960s, he gave the Duo Jet as a gift to bassist and artist Klaus Voormann, a longtime friend of the band from the Hamburg days well known to Beatles fans as the designer of the seminal 1966 Beatles album Revolver, as well as the mid-90s Beatles Anthology albums. Voormann kept the Gretsch for the next 20 years, at some point changing the neck pickup. In the mid-1980s, Harrison recalled, "Id asked him what happened to the guitar and whether I could have it back, because of its nostalgic value. So he returned it to me, and I had it fixed back in its original form with the original pickup and switches that had been missing from it since he owned it." For these late-1985/early-1986 repairs, Harrison turned to noted U.K. guitar tech Alan Rogan, with whom he had worked before. Rogan in turn entrusted the restorative work to luthier Roger Giffin, who rewired it (because "the original wiring was disintegrating") and installed a spare DeArmond® pickup in the neck position that was much closer to the original than the neck pickup Voormann had installed. n 1987, Harrison released his critically acclaimed and enormously successful Cloud Nine album, which included a massive hit in "Got My Mind Set on You" and a charming tribute to his Beatles years in "When We Was Fab." When the time came to shoot pictures for the cover, Harrison said, "I was asked if I could take a guitar down for the photo session for the new album, and so I picked that one, and thats it—the old black Gretsch." The cover of Cloud Nine shows a beaming Harrison holding his old Gretsch Duo Jet, back in his hands after more than two decades. As such, there is perhaps a touching symmetry to the notion that Harrison started his career and returned to it decades later for yet another enormous hit album with "the first real decent guitar" he ever had; the one he bought at age 18 with money hed worked so hard to save from those early Beatles gigs in Hamburg and in the dank confines of the Cavern. The one he affectionately called "the old black Gretsch."

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